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Posted by / 29-Nov-2017 11:22

Kim sang bum and kim so eun dating

(Written on April 11) Reviewed below: The Berlin File (Jan 30) -- How to Use Guys with Secret Tips (Feb 14) -- New World (Feb 21) -- Nobody's Daughter Haewon (Feb 28) -- Jiseul (Mar 21) -- Very Ordinary Couple (Mar 21) -- Horror Stories 2 (Jun 5) -- Cold Eyes (Jul 3) -- The Terror Live (Jul 31) -- The Face Reader (Sep 11) -- Our Sunhi (Sep 12) -- The Russian Novel (Sep 19) -- Hwayi: A Monster Boy (Oct 9) -- City: Hall (Oct 24) -- Blood and Ties (Oct 24) -- The Commitment (Nov 6) -- Steel Cold Winter (Nov 7) -- The Fake (Nov 21). Ryoo, who also penned the film's unusually (for him) taut screenplay, again seems to have achieved what he does arguably better than almost any other Korean filmmaker: to come up with a film firmly grounded in the Euro-American genre conventions and at the same time in the unique features of the Korean historical experience-in this case, a bona fide Cold War espionage film entirely bereft of nostalgia, for the simple reason that for North and South Koreans of today the Cold War still remains an unassailable "reality." I initially approached The Berlin File with some trepidation, since what I had heard through grapevine about the film made me anticipate something on the order of a commercialized hybrid between The City of Violence (2006) and Park Chan-wook's Joint Security Area (2000), in which the North-South relations, perhaps in the form of a macho male-bonding between Northern and Southern agents, would be at the center stage.What I actually saw, however, was nothing like that.And as usual, Ryoo Seung-beom is fantastic as a sadistic, leering North Korean assassin, who perfectly captures the mock-suave panache of a European-boarding-school-educated, jet set kid easing into a life of immediate (material) gratification and criminal activities.Indeed, Ryoo's Dong Myung-soo seems to be the perfect embodiment of the quasi-anarchic, utterly ruthless pursuit of power that seems to be the true credo of the North Korean rulers, beneath their Communist or nationalist flag-waving. Be my guest: give Comrade Dong a hug, why don't you? old dog (John Keogh) is visibly clunky, what with the former's bizarre, hiya-ol'-buddy English diction (in contrast, Ryoo Seung-beom's mannered, ersatz-Middle-European-accented "Konglish" fits his character perfectly).On the contrary, Ryoo's film departs from most current South Korean hits featuring North Korean agents, such as Secret Reunion (2010) and Secretly, Greatly (2013), in that he eliminates South Korea as a site of consumer-capitalist everyday activity into which pretty boy Northern agents have to assimilate themselves.Neither do, despite the crowd-pleasing presence of Han Suk-kyu, Southern agents play a significant role in The Berlin File.

Kim used to go to the hospital to visit her mother and so Son did the same to support her.

Ha may not be as brilliant as, say, Song Kang-ho, in conveying tormented psychological inner workings of the outwardly taciturn warrior, but he still commands the screen with bristling charisma (one of his best-known, pre-stardom stage roles, by the way, was, appropriately, Othello).

Jeon matches him blow by blow as a radiant beauty whose disappointment in her husband (and her life) is eating her from inside out.

Looking ahead to the rest of 2013, the one massive project on the horizon is Bong Joon-ho's SF epic Snowpiercer, expected to reach theaters in August. Pyo begins to suspect his estranged wife Ryeon Jeong-hee (Jeon Ji-hyun, a.k.a. Meanwhile the Northern headquarters is sending Dong Myung-soo (Ryoo Seung-beom, Perfect Number), a sadistic interrogator and cold-blooded assassin, to clean up the mess.

Although shot mostly in English with an international cast, it was produced in Korea, and is the source of much anticipation. The Berlin File was one of 2013's biggest domestic hits (7.4 million tickets sold), not to mention the most financially successful film directed by the perennially under-appreciated Ryoo Seung-wan (The Unjust).

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